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This film was produced and / or financed by FMM Film, Vitusfilm GmbH, hugofilm, Teleclub AG, SRG SSR idée suisse, Schweizer Fernsehen (FS) and Arte.DISTRIBUTORS OF THIS FILM in its original language in Argentina, Mexico and USA.
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Vitus becomes a falling reel. The appropriation of this point of absence referred to the maternal Other implies the possibility of coming to a dimension of existence sustained in representation. The response to the desire of the Other through “disappearing oneself” in order to, in this way, constitute oneself as an object lost to the maternal gaze and voice.
Faced with the “in less” of Vitus’ father, who does not manage to restrain the maternal ideals, the figure of the grandfather appears as a supplementary one. He provides a “family space” for the unfolding of Vitus’ creativity. It is the wings that the grandfather gives him that Vitus will use to fall from the place where the mother places him. To fly to a place of his own. His desire to play the piano does not diminish, he only separates himself from the idealized place that the maternal superego has come to grant him.
The career of her son, was before anything else for Vitus’ mother, since it was the career that his mother could not achieve. The mother wants him to fulfill his own Ideal place. Vitus finds an obstacle to realize the passage towards the subjective constitution, he finds a mother who wants him to fulfill her Ideal. However, Vitus counts on a significant Other, the grandfather, who will give him the tools to achieve his separation.
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Vitus un niño extraordinario mega latino
The series stars Vitus, a somewhat irresponsible and immature young man who seeks constant happiness and is allergic to responsibilities. When his girlfriend gets pregnant and decides to have him, the ghosts of a tragic past return, which leads him to make a drastic decision: to make a flight forward and leave his girlfriend.
As a result of the novel, the podcast Noget om Emma was born. It corrected the major flaw of the book, and that is that Emma was unfairly reduced to the stereotype of the ‘manic pixie dream girl’ despite having an interesting back story. The series was based on the sound document (although at times it comes dangerously close to that trope). In fact, the title is Noget om Emma and not Vitus.
Not bad for the television debut of its creator, Mads Mengel. The filmmaker directs the series and co-writes it with Christian Bengtson. As for the cast, the highlight is undoubtedly the performance of its two main characters, who underpin the series. These are played by Mads Reuther (who had already worked with Mengel in his short films) and Kristine Kujath Thorp (who did the same with Bengtson).